By Miranda Stork Editions: ebook, paperback Published: November 30th 2012 by Moon Rose Publishing Genre: Paranormal Thriller / Romance
“Aodhan clutched uselessly at his head, groaning. He knew it was useless, because the voice was not inside his head. It followed him, skimming across buildings and land. It had followed him since he was sixteen, and it still followed him today, like a memory too horrific to be forgotten…”
Aodhan is a shadow-demon, hardened and cold after years of being alone, after his love, his Entwined, was cruelly taken away from him. He has closed his heart to the world, and now spends his life ridding the world of men like those who took his beloved away, an immortal hit-man…
Arianwen Harris is a young DCI, working for York City Police. When a known criminal is found viciously killed, she finds herself trailing a hit-man who has seemed to escape clutches again and again…but she begins to find herself drawn to his dark charms and roguish good looks…
As their two worlds collide, Aodhan and Arianwen find themselves coming together to escape a far greater enemy, one that threatens to create a world far worse than the one they live in. As they battle to hold back the oncoming forces, fate has another plan; one to draw them together and heal their broken pasts together…
~ Bewitching BT
There are some authors who happily pay a hundred or more for editing, and are very happy with it. There are others who pay the same amount and they have books full of mistakes. And there those who do it themselves, or don’t bother at all.
Now, I do my own manuscripts, but that’s because I’ve done it for an awful lot of people. If you’ve never done professional editing before, I can’t see it turning out well for you. Let me explain; I don’t mean it to sound as stuck up as it does, I really don’t. I just mean that it’s so incredibly difficult; I’m impressed if you decide to do it yourself without knowing what you’re doing.
And I’m saying this from experience. When I finished writing Conner, for the first time several years ago, it was full of mistakes, and I hadn’t yet started working as a proof-reader, never mind as an editor! (Which came later.) It was truly atrocious, you couldn’t go for a few pages without going, “Oh, there’s another one!”
But when I got training for editing, and I really started to pay attention, I realised how little I knew.
So, if you do decide to have a go yourself, I’ve listed a few little tips to use when editing your own manuscript.
1. Always check for spelling errors. No, REALLY check for them.
It’s amazing how many people say to me, “But I did check for spelling errors. I used Spellcheck.” Let me tell you something people, Spellcheck is not-let me repeat that, not-a 100% check on your errors. Sure, it will pick up on simple errors such as a word with missing or extra letters; ‘trieeed’ instead of ‘tried’, for example, but let me give you one it won’t pick up on. If you write ‘form’ where you meant to write ‘from’, 9 times out of 10, it won’t even pick it up. If you can’t be bothered to re-read your own manuscript at least three times for spelling errors alone, pay someone. Or ask a good writing friend 😉
2. Check for grammar.
This is an easy one. Check for the grammar! And as above for Spellcheck…. Try reading your manuscript out loud, rather than in your head, even if you’re just murmuring to yourself. This way, if something doesn’t sound right, you will hear it, and pick up on it as you do so. Trust me, saying something out loud will pick up on things that skimming with your eyes won’t. Even try taping yourself reading it aloud, this can do the same thing.
3. Does it make sense?
Sometimes when we’re writing, it’s easy to get bogged down with something else; the kids, housework, the garden, that annoying sales call. So we stop writing for a while, and when we come back, we can’t remember exactly what we were going to write. So….we put down the rough idea of what we were going to write, and carry on. And there is nothing wrong with this. But you must check for continuity. If character A got shouted at by character B, in the next chapter they can’t straight away be laughing and joking with each other. It’s annoying, and it disrupts the flow of a story. So always read through to make sure your story links together.
4. Have you got your facts straight?
Sometimes you might be reading a book, and you’ll scan the line you just read again. “I’m sure that’s not true.” you think to yourself. This is when authors don’t do their research. I once edited a book where the author was writing a romantic story about a couple who sail to the New World just after Christopher Columbus had a good look around. She set it three years after he had been. But the story was set in 1645. Quite impressive seeing as Columbus died in 1506 and arrived in the Americas around 1492. So the author hadn’t done their research. You must check for simple facts in your story as well. If you mention a historical person or event, are the dates right? If you’re setting it in another country, do you know the geography of it well? If you want to mention a subject such as science or psychology, do you understand it?
5. Rewrite, rewrite, and rewrite again!
If you have followed all of the above advice, and have moved onto your cover, STOP! No, you’re not done yet! With all of the errors you’ve corrected, and the facts you’ve changed, and the parts you’ve linked together, some of the sentences may need smoothing out. You may have just thought of the perfect part to put in that would fit where it wouldn’t before. Maybe you just want to be sure? So rewrite. If you’re a good writer, chances are you are a good reader. And you know what parts might be too lengthy, or not lengthy enough. A simple fight scene can be made boring with no tension. Concentrate on details; this helps you to slow the pace down, without losing the tension. Rather; it creates the tension!
So I hope some of these tips will help you if you do decide to edit it yourself. And if you decide you would still like someone else to do it for you, you can always consider me! Hehehe.
About the Author & Links:
I was born in Guisborough, North Yorkshire in 1987 and have lived in various places around Britain, including Newcastle and Glasgow.
My writing is inspired by various writers, including the vivid characters of Charles Dickens, the imagination of Stephen King, and the gothic imagery of Anne Rice.
My love of horror began at an early age, when I was only three or four. I could read proficiently at the age of three, and devoured fairy-stories, but I always had a bent towards the darker stories, such as the Brother’s Grimm’s tales…Red Riding Hood was always a firm favourite, although I always felt sorry for the wolf, despite him having tried to eat everyone!
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